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Well, I’m about two months behind on editing my POV, so here’s a quick edit from the Euro travels earlier this winter with my extremely insightful commentary (talks are in the works with Morgan Freeman to narrate, but nothing has been finalized at this point). As a note, I didn’t end up with a bunch of banger shots, so there’s a lot of time lapse. Not super gnarly, mostly pow; I’ll get the gnar this week…promise.
Well, what can one say about Kirkwood? The venue is unreal- it’s the only stop on the tour that we’re guaranteed permanently closed terrain. It’s big, the snow’s good, and the vibe is great. Unfortunately, I ended up a less-than-impressive 10th at Kirkwood after a monster back-slap second run. Dylan Crossman and came away with the “W,” which I couldn’t be more stoked about. Janina Kuzma crushed it on the ladies side of things, and took home the sickbird to boot! Of the runs I saw both days, Crossman and Kuzma were the standouts- they crushed it.
Furthermore, Dylan was really skiing big mountain lines- not just hitting a bunch of small features really fluidly- but dropping-in over exposure, being controlled, and airing big out the bottom. Guys like Dylan, Lars Chickering-Ayers, Julien Lopez, and Josh Diek go out there and ski the film line- the lines that aren’t necessarily the highest scoring, but the lines that leave spectator’s jaws dropped. These lines don’t score as high, sometimes, because they’re difficult to execute smoothly, harder to put down that four-point landing, and any mistakes are magnified due to the exposure one’s on. Maybe it is harder to ski a bunch of smaller, well-traveled airs fast and fluidly, but I don’t think that’s really big mountain skiing. I’d rather go ski these exposed, difficult, and rarely skied lines and lose- going home knowing I pushed the sport- than win skiing a run-of-the-mill line quickly that’s still going to leave spectators wondering what big mountain skiing is and why I won.
Way to do both Dylan, cheers to you!
With IFSA registration about a week off and FWT registration ongoing, I felt obliged to give my $0.02 on big mountain competitions (BMC). With the perceived reward of money, sponsors, and film time, BMC seems like the way to go, right? The competitions have helped launched the careers of Chris Davenport, Shane McConkey, Seth Morrison, Hugo Harrison, and Ingrid Backstrom, among others. With open qualifiers, it seems that fame is a mere four runs (and often less) away. However, before entering said competition, there are a few things you should probably consider.
First off, subjectivity is a bitch. Get it through your head that sometimes you’re going to get hooked up, and sometimes you’re going to get burned- that’s just the way it goes. Yes, as bad as it sounds, the more recognizable names will usually get the benefit of the doubt. If you’re going to pout when you get burned, have the dignity to concede a bit when you get hooked up- your peers will appreciate it.
Second, there may be no other skiing event that provides the opportunity to ski beyond one’s ability like a BMC. For instance, in slopestyle, one is pretty aware of their abilities- odds are if you can only through a switch nine you’re probably not going to drop the hammer and try your first double cork ten- you either have the trick in your pocket or you don’t. However, the terrain and airs in BMC are more subjective. Sure you’ve stuck a twenty footer, but can you do it today, on this take off, with this landing, after ten people have hit it? Err (no pun intended) on the side of caution.
Also, if you’re looking for a straight-line to the limelight, this is probably not the place. Yes, the aforementioned people got their start on the tour, but this was a long time ago- before the age of self-edits, social media, and shameless (sigh) internet self-promotion. Since Ian McIntosh in 2004, no one has come off a winning season and went straight into filming with a major production crew. Even before then, a winning season didn’t translate into the silver screen the following year. Yes, a lot of the filming talent competed at one point, but not all of them (surprisingly few actually) dominated, particularly recently.
Next, sure you’re a good skier, but the game’s a little different when you have judges watching every move and several hundred people screaming, ringing cowbells, and lighting off fireworks. If you get nervous on shooting the final cup in beer pong- you should probably ask yourself if this sport is really for you. On that point- being a good skier doesn’t necessarily translate to being a good competition skier. There are some amazing skiers out there that just don’t compete well.
So, if you understand that competition success doesn’t translate into film segments, are realistic about your skiing ability given the conditions, are cool under pressure, and understand it’s a judged sport, than, yes, this shit is for you and you’re going to love it.
First, if you pay attention to the top riders you’ll learn a ton- how to inspect, how to create a line, how to keep cool under pressure, etc. I mentioned how a lot of guys that film now never dominated competitions- but they sure as shit learned a lot through them, helping them become the skiers they are today. Next, although it might not be a fast track to the silver screen, it will get you noticed, in a timely fashion as well. Take all the photos and video you want, and maybe next season it will get you somewhere. Win a competition; it will get you noticed that day. I’m not saying you’re going to get put on an international team for getting third, but it will at the very least give you some in roads with sponsors. Lastly, and most importantly (i.e. this is why you should be doing it in the first place) you’re going to meet some of the coolest, hardcore yet down to earth people in the world. The family on tour is like nothing else in sports. Yes it’s a competition, but everyone is cheering each other on and helping them out. If you really want to see the soul of skiing, come to a tour stop.